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Ancillary Sword
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Audible Audiobook
Listening Length: 11 hours and 44 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Hachette Audio
Audible.com Release Date: October 7, 2014
Language: English, English
ASIN: B00O824TBM
Amazon Best Sellers Rank:
This science fiction work is volume two of the author’s Ancillary trilogy. If you have not read the first installment, a Hugo and Nebula Award winner (among others), Ancillary Justice, do not try to start with this one.This story resumes immediately following the outbreak of civil war between various factions of the Radch Emperor, Anaander Mianaai. Breq, the humanoid artificial intelligence who is the narrator of the story is given command of a Sword class military vessel and sent to a nearby space station/planetary system to protect against an expected military incursion.There is no need to provide background; if you read the first book of the trilogy, you are familiar with the landscape. There is not much resolution here, just a continuance of the narrative, setting up for the final installment of the trilogy, Ancillary Justice. Nevertheless, there is plenty of action to keep the reader interested and ultimately satisfied.
It was probably inevitable that the second book in the Imperial Radch series would not live up to expectations after Ancillary Justice won all the awards (look it up). What I did not expect is just how weak a book it would be.Ancillary Justice at its essence had three things going for it: the Radch view on gender and the use of only feminine pronouns, a simple but effective rhetorical trick; the diffuse AI ship Breq and the legion dictator Anaander Mianai; and an otherwise very solid all-around space opera story and world. I was worried the pronoun thing would begin to grate. It did not, in part because Leckie wisely chose to shift focus away from it (apart from a bizarre festival that proves not distracting by being so forgettable). But it also doesn’t add anything here in the way it did in the first volume. As to the second (and much less appreciated) great strength of Ancillary Justice, there are no flashbacks to Breq when she was a ship and Anaander Mianai is almost entirely absent. Ordered to a new station, Breq doesn’t even interact with the Station AI! But Ancillary Sword’s real failure is that it isn’t a very interesting story.Ancillary Justice ended with the two factions of Anaander Mianai now at open war with each other. Breq has been dragooned into the service of one. To that end, she is sent to an obscure, out-of-the-way system that is hinted to be more important than it looks (SPOILER NOT SPOILER: we finish the book without ever finding out). Breq, now raised to the exalted rank of fleet captain, spends the rest of the book ordering people about on the station and “downwell.â€Second acts in a series are difficult by nature. The author has typically blown a large portion of her expository load, you can’t have full resolution (and usually get even less than in book one), and the primary burden is to get from Point A of a great idea for a series to Point B of a desired climax. I’m not sure if Ancillary Sword fails for that because so very little happens and what does happen appears to have so very little to do with the universe-spanning empire stakes. There are a couple hints that may become the key to the whole thing, but we only get very bare hints. Perhaps this is one of those books that, rather than building on the first book, runs almost in parallel instead, with both books together building toward book 3 (Larry Correia’s Grimnoire trilogy does this to a certain extent, and Cormac McCarthy’s Border trilogy goes all in).The main story is already burdened by its perceived irrelevance. The problem is exacerbated by a story that isn’t really interested on any level. It is almost structured as a mystery, but the components to the climax and resolution are either obvious or unknowable. The basic structure is Breq swoops in, sees obvious problems, dictates obvious solution, with an obvious reaction. There are a couple of good twists, but we don’t get a payoff for either. The climax would have served as a good faux climax, with a bigger and better one behind it, but is unsatisfying by itself.On another level the story is no better. The Radch empire already had a bit of a British empire thing going on, and the planet in question is a tremendous producer of tea. The station has an ethnic underclass living off the books and downwell there is an oppressed worker class on the tea plantations. The local elite of course are utterly unable to see the problem. Breq, who knows just a little bit about everything, jumps in and starts fixing everything. The obvious problem there seems to have occurred to Leckie, hence regular rounds of oppressed folks reminding Breq she doesn’t know much of anything about them. But given the role of Mary Sue Breq has been given to play, they just come off as childish, kicking their heels at being made to take their medicine.It’s unfortunate. I’ve long been an avid reader of fantasy and every other kind of speculative fiction, but Ancillary Justice was one of the books that finally sparked an interest in science fiction for me. I hold out hope that Ancillary Mercy will capitalize on considerable potential.
This second book in Ann Leckie’s Imperial Radch trilogy fully lives up to the first— not always easy when the first book gets to present the reader with the author’s world and characters for the first time, and the second just continues the story. [In Ms. Leckie’s case, it really didn’t help that the first book had won just about every major award known to science fiction— how do you follow that???]This isn’t your standard space opera, although it obviously has aspects of one (interstellar travel, spaceships and space stations and the like). The writing is too dense, so that it requires you to pay attention. She doesn’t spoon feed her readers, and we’re expected to remember characters and alliances without having them constantly reexplained.She takes cultural ideas and turns them inside out— gender roles is just one clear example. It’s difficult enough for us to imagine a culture without fixed genders— Ursula LeGuin taught us that a long time ago, with ‘The Left Hand of Darkness’. In that book from 1969, the people on a particular planet were ambisexual, having no fixed sex.What Ms. Leckie does is different, and arguably more radical. Here, the characters have the same physical gender differentiation we do, as is made clear when we’re introduced to one culture’s Genitalia Festival, with its brightly colored tiny penises hung all over the space station’s walls. However, no one in Radch culture is ever called by a male pronoun— everyone is considered female. In other words, people come in the standard two genders for purposes of procreation, but gender is otherwise completely unimportant to them; not just is everyone referred to as “sheâ€, both parents are considered mothers, their siblings are all aunts, and the child’s siblings are all sisters. The enormous importance we place on gender and gender roles is simply lacking— something that Ms. Leckie doesn’t explain, but simply makes clear by exposition. And that is just one detail, and one not at the heart of the story, which isn’t about sex at all.Ancillary Sword (named for a class of warship) is too densely written, too involved, for me to do it justice in a brief Amazon interview. Suffice it to say that any awards Ann Leckie has received (which is most of them, as I understand it) she has earned, and read the trilogy. Read it in order, though— an attempt to read this without reading its predecessor first will result only in confusion.Highly recommended.
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