Senin, 29 Desember 2014

Download Ebook ASME PVHO-2-2016: Safety Standard for Pressure Vessels for Human Occupancy: In-Service Guidelines

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ASME PVHO-2-2016: Safety Standard for Pressure Vessels for Human Occupancy: In-Service Guidelines

Product details

Paperback: 62 pages

Publisher: Multiple. Distributed through American National Standards Institute (ANSI) (June 29, 2016)

Language: English

ISBN-10: 0791870715

ISBN-13: 978-0791870716

Product Dimensions:

8.2 x 0.1 x 10.5 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

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#4,122,043 in Books (See Top 100 in Books)

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ASME PVHO-2-2016: Safety Standard for Pressure Vessels for Human Occupancy: In-Service Guidelines PDF
ASME PVHO-2-2016: Safety Standard for Pressure Vessels for Human Occupancy: In-Service Guidelines PDF

Senin, 08 Desember 2014

Get Free Ebook , by Agnes Nixon

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, by Agnes Nixon

Product details

File Size: 27317 KB

Print Length: 273 pages

Publisher: Crown Archetype (March 21, 2017)

Publication Date: March 21, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01M1GJ3HJ

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Agnes Nixon has always been an idol of mine since I was a child. She created two beloved soap operas, "All My Children" and "One Life To Live, and outlived them by a few years sadly. She began her writing career in college and as an apprentice to the late legend Irna Phillips. From her upbringing as an only child of divorced parents in Nashville, Agnes also known as Aggie dreamed of becoming writer from an early age.This memoir is long overdue for a figure such as Agnes Nixon. She married the love of her life, Bob Nixon, and raised four children in suburban Philadelphia, Pennsylvania. Unfortunately, Agnes doesn't get credit for her genius in writing and developing unforgettable and unique characters like Susan Lucci's Erica Kane or Ruth Warrick's Phoebe Tyler on "All My Children" or Erika Slezak's Viki Lord on "One Life to Live." She had her own bible for "All My Children" for five years until she was offered the opportunity. Stars came and went to Pine Valley and Llanview. The forward was written by All My Children fan, Carol Burnett, who played Verla Grubbs.Agnes Nixon would be inducted into the Television Hall of Fame and the Soap Opera Hall of Fame (not that it matters anymore). There are only four soap operas on the air and none from Agnes Nixon. The four remaining soaps are fighting for survival. Soaps weren't given the proper respect in Agnes' life. Irna Phillips, the pioneer and mother of soap opera television and radio, was never inducted into the Television Hall of Fame nor was she honored with Stars on the Hollywood Walk of Fame for Television and Radio nor induction into their Hall of Fames. Agnes Nixon herself doesn't have a Star on the Hollywood Walk of Fame for Television.Agnes Nixon was never awarded the Kennedy Center Honors, America's highest honor, nor was she was awarded the National Medal of the Arts. She has written thousands of stories and scripts herself. Her writings have been donated to her college, Northwestern University School of Communication and the University of Pennsylvania's Annenberg School of Communication. She was also a dedicated wife and mother as well as writer. Her father never believed in her abilities.She began developing her writing skills by playing with paper dolls cutting them out of the Sunday funnies. She lost her first love in World War II. Her parents' divorce had affected her relationship with her father who lived in Chicago while she lived in Nashville with her mother's family.

I finished the book last night after starting it on Thursday evening. My respect for Mrs. Nixon was great before I read her story, but with this final piece of work, she refreshes us on the lesson to never assume. It is easy to view Mrs. Nixon (Ag) as a woman of privilege. And though she did earn that through her hard work and trailblazing, she never forgot who she was.Though I would have liked more insight into her other work (such as head writer of ‘Another World’ and how the ‘All My Children’ bible influenced her) and the profession challenges she had, similar to the issue on 'Search for Tomorrow' (why did she pull back from ‘One Life to Live’, the power play between her and ABC those last years, the lose of the warehouse that housed tapes of the early episodes of OLTL and AMC, etc.), I still marveled at her grace (no naming the writer who said they did not believe in character motivation) and her gratitude.Yes, there are some date and reference inconstancies that momentarily detract from the book, but the power of Mrs. Nixon story is not diminished by these issues.Reading about the challenges she had to complete this memoir, on her own terms, gives me a sense of pride in a way. For as she said over and over, she saw the company and the viewers as all her children, Mrs. Nixon was “All Our Aggie”.

The late writer/producer Agnes Nixon said in 1981 that she learned from her mentor, Irna Phillips, that "every individual's life has a soap opera in it."For Nixon, that was a double-edged sword. Her life not only was a soap opera, it provided her with material for both of the long-running daytime serials she created, "One Life to Live" and "All My Children."We learn in "My Life to Live" that to become a writer, she had to defy a domineering father who tried to control every aspect of her life-including what to wear, whom to date and marry, and even her choice of career (he wanted her to join his Chicago-based business creating burial clothing for corpses). Early in her career, she shared an apartment with a woman who was having an affair with a married man. She created the serial "Search for Tomorrow," but had it taken away from her by consumer goods giant Procter & Gamble and the advertising agency that were jointly packaging the show for CBS because she didn't want to write the sex-drenched melodramas her male superiors insisted upon. As a working mom, other mothers regarded her as a "curiosity," and one even told her that by working, she was being "unfair" to her children.Nixon also provides insight into a working writer's mind, as we see how she integrated real life events and issues into her fiction. A friend's death from cancer became the basis of a storyline for "The Guiding Light," a Phillips-created serial she wrote for before striking out on her own. Seeing African-Americans riding in the backs of buses and being exposed to casual racism during her Southern childhood served as the basis for a "OLTL" storyline about the evils of racial prejudice. And her dictatorial father became the basis for "AMC" character Palmer Cortlandt.Nixon tells her the story of how she made daytime TV a more realistic place in clear, economical prose doubtless borne of her decades of experience writing for radio and television, where scripts serve as blueprints for the creativity of actors and other personnel, and where audiences expect writers to cut to the chase without stylistic flourishes.For those interested in behind-the-scenes detail, she also includes excerpts from the "AMC" bible and the full script for her first radio play, "No Flags Flying," which she based upon her fiance's death in World War II.If one flaw exists, it's that she skims over the less happy aspects of her professional life-notably ABC's decision in 2011 to cancel both of her series on the same day. She reports upon, but doesn't dwell upon, the network-instituted changes she believes led to her shows' demise.At book's end, Nixon gives us a glimpse of what unfortunately will never be when she reveals she was working on ideas for a series of short stories. It's a pity we'll never have those stories, but having "My Life to Live" is compensation enough indeed.

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Sabtu, 22 November 2014

Free Download Tafsir Ibn Kathir Part 1 of 30: Al Fatiha 001 To Al Baqarah 141 (Volume 1), by Muhammad Saed Abdul-Rahman

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Tafsir Ibn Kathir Part 1 of 30: Al Fatiha 001 To Al Baqarah 141 (Volume 1), by Muhammad Saed Abdul-Rahman

Tafsir Ibn Kathir Part 1 of 30: Al Fatiha 001 To Al Baqarah 141 (Volume 1), by Muhammad Saed Abdul-Rahman


Tafsir Ibn Kathir Part 1 of 30: Al Fatiha 001 To Al Baqarah 141 (Volume 1), by Muhammad Saed Abdul-Rahman


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Tafsir Ibn Kathir Part 1 of 30: Al Fatiha 001 To Al Baqarah 141 (Volume 1), by Muhammad Saed Abdul-Rahman

Product details

Series: Tafsir Ibn Kathir (Book 1)

Paperback: 316 pages

Publisher: CreateSpace Independent Publishing Platform (April 23, 2012)

Language: English

ISBN-10: 1475197993

ISBN-13: 978-1475197990

Product Dimensions:

6.7 x 0.7 x 9.6 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#1,058,919 in Books (See Top 100 in Books)

This tafsir is very detailed. Some of the sentences do not end with periods as they should when writing in English but that is a very small thing considering the detail of the content that I needed in providing an understanding of things I thought I understood. It is very in depth with a lot of background information.

The Tafsir by Ibn Kathir is very useful to help explain each ayat or verse. This book is a wonderful research source to increase a person's knowledge of the first part of the Holy Qur'an. I recommend this book in particular to converts to Islam.

Very nice print. Arabic text is very clear.

I love this collection. I purchase them one at a time. As a need them for lecture class. I don't buy the whole thing all at once cause it would over load my brain, heart, and kindle fire.

Says it is 322 pages and in reality it is only Sura Al Fatiha and less then 30 pages. The translation is great but this makes it very expensive indeed. Not sure if other volumes are the same. Will try purchase one as the knowledge is fantastic from Ibn Kathir's translation.

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Tafsir Ibn Kathir Part 1 of 30: Al Fatiha 001 To Al Baqarah 141 (Volume 1), by Muhammad Saed Abdul-Rahman PDF
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Rabu, 12 November 2014

Download PDF Whiskey: The Definitive World Guide, by Michael Jackson

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Whiskey: The Definitive World Guide, by Michael Jackson

Review

"Jackson's collection of essays and photographs will teach newbies… but it will gratify the most obsessive enthusiasts as well." — Publishers Weekly

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About the Author

Michael Jackson is the world's leading writer on beer. His Beer Hunter TV documentaries presented a new view of beer as an element not only of civilized social life but also of gastronomy. He introduced the world to the specialty beers of Belgium, and helped inspire the American microbrewery revolution, as well as a generation of beer writers. Jackson's books for DK include The Great Beer Guide, Eyewitness Companions: Beer, and Whiskey: The Definitive World Guide, which won a James Beard Foundation Book Award for Wine and Spirits. Jackson is also a past winner of the Glenfiddich Trophy and the André Simon Award.

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Product details

Hardcover: 288 pages

Publisher: DK; New edition (October 10, 2017)

Language: English

ISBN-10: 1465464166

ISBN-13: 978-1465464163

Product Dimensions:

8.8 x 1.1 x 11.1 inches

Shipping Weight: 3.5 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

57 customer reviews

Amazon Best Sellers Rank:

#198,423 in Books (See Top 100 in Books)

Thirty years ago many believed whiskey was a doomed drink. Like wines, whiskey, which originated in Scotland and Ireland--"whiskey" comes from a Celtic word--has become a world-wide phenomenon. Michael Jackson, as famous in the whiskey world as the other Jackson in pop, lays out whiskey's allure and history in "Whiskey: the Definitive World Guide," a Dorling-Kindersley book.Whiskey is the umbrella for Scotch (comes only out of Scotland), Bourbon, and Whiskey. The British Isles, Canada, the United States, and Japan are the biggest makers and producers of Whiskey.Jackson explains what creates the wide varieties of whiskeys: climate, geology, water, heather, sea breeze and seaweed, barley, peat, and the various phases of the brewing process.Paging through the Scotland section of the wonderful single malts was a tourist reminiscence of my very limited tour through Scotch country and visits to several distilleries. Sampling Scotch at ten in the morning is a walk on the wild side, trust me.When Jackson calls his book "definitive," he is spot on. A walk through the Scotland section lists and describes all single malts, as well as blended scotch, including labels, histories, color, nose, body, palate, finish.Here's an example:The Dalmore, 12-year-oldColor: Ruby, amberNose: Sweet. Black currant jam. Rum and raisin.Body: Sweet and rich.Palate: Smooth and long. Super-ripe, basil, menthol. Dried fruits.Finish: Malt, balanced, oak.I love this book and have poured through it over and over. There's a world of information for anyone interested in more than just passing knowledge of the whiskey world of scotch, bourbon, and whiskey.

Visually, it is a very nice and attractive book. Content-wise, it's a decent enough book for someone who is looking for an introduction to whiskey and some basic information about most major distilleries. However, where the book fell short for me was that it is missing sections on some major distilleries. For example, in a couple of places, there are one or two sentences about some interesting innovations that the Glenmorangie distillery has made. However, inexplicably, there is no section about the Glenmorangie distillery, although it is one of the major distilleries and is praised in those few sentences scattered around the book.

The book has nice, enticing photos but I find the writing a bit stilted. It's actually written by a wide variety of writers/contributors, and the topics are covered in a somewhat dry cover-all-the-facts style. Overall, it's lacking a bit of passion and personality. It's useful as a light reference for some distilleries - fun to read about the distillery while you're drinking the whiskey, but it's far from comprehensive. Each distillery section covers two or three random sample bottles/productions but doesn't cover all the bottles that the distillery produces.

Michael Jackson is THE reference, the pope of Whiskey world and an extraordinary author which bring us through the distilled world of malt and grain through various books. In this book, photos and illustrations are illuminating the parole and bring us in Japan, Canada or Ireland... The group of authors who take the task of updating his work have made a great job. This bring us to discover the backyard and evolution of those brand. It is more a table book to reed from time to time than an authoritative guide in taste. I had to go to Jim Murray book Jim Murray's Whisky Bible 2014 to fully appreciate the taste of Canadian Rye as I could not found any where what grain or malt was used in Schenley Distillery for example. It's seems important to know the large usage of corn to attend the sweet caramel taste of Canadian whiskey name Rye. I like the chapter of Enjoying Whiskey with Martine Nouet in the kitchen invitation. Recommended of course.

This book is filled with information about distilleries from around the world. After a brief introduction to whiskey, Jackson and his contributing authors explain the aromas flavors found in whiskey as well as their sources from the distilling process. For example, different strains of barley can add different flavors, floral notes often come from the heather that grew in the peat that was burned to heat the stills, the different oaks used for maturation can add different characteristics to the drink, and so on. The distillation process and equipment are also briefly explained. After that, the book moves to a trek around the world, spending about 100 pages on Scotland, about 10 pages on Ireland, about 10 pages on Canada, about 30 pages on the United States, about 15 pages on Japan, and a brief look at "everything else". This section of the book covers (I think) all of the active distilleries with a brief history, geography, and info about the production line. Each distinct geographic region includes a section of tasting notes about one or some of the typical/popular whiskeys from the region. The more popular brands, like Bushmills and Jack Daniels, seem to get a bit more coverage than the others. The book ends with a short section on cocktails and food pairing. The book is full of large, beautiful photographs of the distilleries- I would say most pages are 50% photographs.This is not an all-encompassing tome of whiskeys, nor a buying guide, nor a tasting guide; there are plenty of other books out there for that. I enjoyed the book thoroughly. I think it would be better with a section on the relevant history of the region- for example, the Highland Clearances were mentioned many times, and eventually I had to go look it up. Also, the book would be better if they dropped the snob factor in the text- the condescension is so thick you could cut it with a knife. This is still a wonderful book, and if you are interested in whiskey at all it is definitely worth your time.

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Selasa, 11 November 2014

Ebook Download Fundamentals of Information Theory and Coding Design (Discrete Mathematics and Its Applications)

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Fundamentals of Information Theory and Coding Design (Discrete Mathematics and Its Applications)

Review

This book is one of the few (if not the only) texts that comprehensively deal with both the fundamentals of information theory and coding theory. The extensive use of worked examples throughout the text, especially in the more theoretical chapters 6 and 7, will greatly aid students understanding of the principles and methods discussed. The highlighting of definitions, theorems and results allows students to quickly identify and remember the important concepts. The exercise sets at the end of each chapter are quite complete with the routine questions balanced by more challenging and interesting questions. The introduction to the main concepts of abstract algebra used for the design of advanced error detecting and error correcting codes is rigorous, complete and the use of many worked examples makes it one of the best I have seen. The material is also quite extensive with discussions on additivity of mutual information, implementation details of arithmetic coding, rate distortion theory and the important Hamming and Gilbert bounds for channel codes. Overall, this is an excellent and timely textbook for senior undergraduate courses in information and coding theory for students in computer science, mathematics, and engineering.-Li Deng, Ph.D., Senior Researcher, Microsoft Research, Redmond, WA, USA

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Product details

Series: Discrete Mathematics and Its Applications

Hardcover: 385 pages

Publisher: Chapman and Hall/CRC; 1 edition (January 13, 2003)

Language: English

ISBN-10: 1584883103

ISBN-13: 978-1584883104

Product Dimensions:

6.5 x 1.2 x 9.2 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#6,021,066 in Books (See Top 100 in Books)

Is an integral and good book, but there are some mistakes like this:In page 32 the stationary distribution is wrong,by example w1=28/46=0.6087 in that page, but w1=0.5854 !

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Minggu, 09 November 2014

Get Free Ebook GMAT: Comprehensive Beginner’s Guide to Get Started with GMAT Practice Tests and Learn Simple and Effective Strategies to Perform Well in the GMAT

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Product details

Series: GMAT (Book 1)

Paperback: 148 pages

Publisher: Independently published (March 19, 2019)

Language: English

ISBN-10: 1090854099

ISBN-13: 978-1090854094

Product Dimensions:

6 x 0.3 x 9 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

55 customer reviews

Amazon Best Sellers Rank:

#552,007 in Books (See Top 100 in Books)

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Rabu, 05 November 2014

Download Ebook Kirsch's Guide to the Book Contract: For Authors, Publishers, Editors and Agents, by Jonathan Kirsch

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Kirsch's Guide to the Book Contract: For Authors, Publishers, Editors and Agents, by Jonathan Kirsch

From Library Journal

Kirsch, an intellectual property attorney and author, presents a companion volume to his popular Handbook of Publishing Law (LJ 4/1/95). The new work opens with a model book publishing contract. Through the remainder of the book, each of the contract's representative clauses is explained, alternatives are offered, and terminology is defined. Kirsch uses different icons within the text to signal matters of special concern to authors or publishers. "Deal points," those parts of a contract that pertain to the particular rights assigned and the amount of compensation for them, are noted with a dollar sign. In addition to laying out the practical and legal meanings of the components of the contract, the author dispenses strategic advice designed to help the parties to the book deal consider all their rights and options. Kirsch succeeds in presenting the legal concepts without oversimplifying and prepares those participating in the contracting process for the new ways in which books are being written, published, and sold. Recommended for most public libraries.AJoan Pedzich, Harris, Beach & Wilcox, Rochester, NY Copyright 1999 Reed Business Information, Inc.

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From Booklist

Publishing law probably isn't any more or less complicated than any other group of laws, but it is still an area to which few lawyers can claim much expertise. Kirsch is one of the few who specializes in intellectual property and publishing law, and he attempts to demystify the book contract. Aimed at publishers, authors, editors, and agents, Kirsch's Guide picks up where his well-received Handbook of Publishing Law left off. At the center is the model book contract. He breaks this standard "boilerplate" contract down, explaining even its smallest clauses and major deal points. Particularly valuable are tips highlighted by symbols marking them as useful for either publishers or authors. A glossary helps those who are still learning publishing "legalese." For anyone who needs to know what "work-for-hire" really means before they see it in a book contract. Marlene Chamberlain

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Product details

Paperback: 281 pages

Publisher: Acrobat Books (December 1, 1998)

Language: English

ISBN-10: 091822635X

ISBN-13: 978-0918226358

Product Dimensions:

6.5 x 0.8 x 9.2 inches

Shipping Weight: 13.8 ounces

Average Customer Review:

5.0 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#1,613,895 in Books (See Top 100 in Books)

This is a useful book for any author who wants to understand the many important issues and details in a publishing contract. As a literary agent I want my clients to be as knowledgable as possible in all aspects of their careers. For those that are interested in understanding every contract clause and detail, I recommend Kirsch's book wholeheartedly.Please understand, though, that this is an incredibly detailed, expert look at every clause in a publishing contract, which an agent negotiates on an author's behalf. If the nuances of legal language aren't of interest and you would rather just get an overview of key contract issues, I'd recommend Michael Larsen's "Literary Agents: What They Do, How They Do It, and How to Find and Work with the Right One for You" instead, or one of the other books on the business of publishing.

This book shows you a sample contract then breaks it down and explains every little piece. There are many alternative clauses too, showing you how to retain different rights and territories, handle secondary rights like audio and movie, and so on.Even if you have an agent representing you, you would want to understand everything in your contract before you sign it.My copy of this book is annotated from one end to the other, with folded corners, underlining and pen scribble highlighting the bits I consider most important. Bring on that contract...

Completely satisfied.

The best way I can think of to describe the value of Kirsch's Guide to the Book Contract is to quote from my own book Successful Nonfiction."The contract you receive from your publisher may be in two colors and printed on fancy paper but it is not chiseled in stone. Only new authors sign and return a publisher's first offer. You may make changes to the contract and return it-that is a "counter offer". The contract may go back and forth until someone "accepts it.""I took a distressing telephone call from an author who had just received a contract from a large New York publisher. There were a total of 21 items in the contract she didn't like or didn't understand. After discussing some of them, I suggested she call her editor and have a discussion. Better communication was certainly required here.She called back two days later, both astonished and delighted. When she asked about the first paragraph in question, the editor said, "that's okay; you can have it." She got what she wanted on the next paragraph in question too. On one other paragraph that concerned her, the editor said something like, "Well, that sounds like this but in the book trade it really means that; so it isn't a big issue."The result: she got 19 out of the 21 things she asked for. So contract discussions do not mean pulling the wool over the eyes of your publisher. This was a win-win negotiation."Take the contract to a book attorney (not just any attorney, not a contract attorney and not a media attorney). When it comes to literary properties and money, you need professional help. And make a counter offer." Kirsch's book will help you understand the publisher's contract.Jonathan Kirsch is a well-known book critic and book attorney in Los Angeles.As the author of 113 books (including revisions and foreign-language editions) and over 500 magazine articles, I highly recommend this book to writers and publishers everywhere. DanPoynter@ParaPublishing.com.

If you've ever received a book contract from a general publisher, it can be a frightening experience. I know firsthand because I have a number of these contracts in my files--which I have negotiated and ultimately signed (and the book was publisihed). Also I know how it feels to be the editor negotiating with the writer or the literary agent, since I'm an acquisitions editor for a book publisher.Jonathan Kirsch takes the mystery out of the legalese in this comprehensive title about book contracts. Every author, editor and literary agent needs this book to increase their knowledge base about book contracts.

"Kirsch's Handbook of Publishing Law" was recommended to me by a friend as a necessary and important resource tool for writers, authors, and anyone in the publishing industry.I especially appreciate Kirsch's expertize in publishing law, his analysis, anecdotes, tips, examples, and indispensible instruction and full coverage of legal matters important to writers."Kirsch's Handbook of Publishing Law" is a significant addition to my writing reference library. Highly recommended.

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Rabu, 22 Oktober 2014

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Product details

Series: Flowery (Book 5)

Paperback: 118 pages

Publisher: Independently published (October 4, 2018)

Language: English

ISBN-10: 1726746011

ISBN-13: 978-1726746014

Product Dimensions:

8.5 x 0.3 x 11 inches

Shipping Weight: 13 ounces (View shipping rates and policies)

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Amazon Best Sellers Rank:

#1,467,060 in Books (See Top 100 in Books)

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2019 Planner Organize Your Weekly, Monthly, & Daily Agenda: Features Year at a Glance Calendar, List of Holidays, Motivational Quotes and Plenty of Note Space (Flowery), by Kai Bleu Journals PDF
2019 Planner Organize Your Weekly, Monthly, & Daily Agenda: Features Year at a Glance Calendar, List of Holidays, Motivational Quotes and Plenty of Note Space (Flowery), by Kai Bleu Journals PDF

Sabtu, 11 Oktober 2014

Ebook Free Ancillary Sword

Ebook Free Ancillary Sword

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Audible Audiobook

Listening Length: 11 hours and 44 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Hachette Audio

Audible.com Release Date: October 7, 2014

Language: English, English

ASIN: B00O824TBM

Amazon Best Sellers Rank:

This science fiction work is volume two of the author’s Ancillary trilogy. If you have not read the first installment, a Hugo and Nebula Award winner (among others), Ancillary Justice, do not try to start with this one.This story resumes immediately following the outbreak of civil war between various factions of the Radch Emperor, Anaander Mianaai. Breq, the humanoid artificial intelligence who is the narrator of the story is given command of a Sword class military vessel and sent to a nearby space station/planetary system to protect against an expected military incursion.There is no need to provide background; if you read the first book of the trilogy, you are familiar with the landscape. There is not much resolution here, just a continuance of the narrative, setting up for the final installment of the trilogy, Ancillary Justice. Nevertheless, there is plenty of action to keep the reader interested and ultimately satisfied.

It was probably inevitable that the second book in the Imperial Radch series would not live up to expectations after Ancillary Justice won all the awards (look it up). What I did not expect is just how weak a book it would be.Ancillary Justice at its essence had three things going for it: the Radch view on gender and the use of only feminine pronouns, a simple but effective rhetorical trick; the diffuse AI ship Breq and the legion dictator Anaander Mianai; and an otherwise very solid all-around space opera story and world. I was worried the pronoun thing would begin to grate. It did not, in part because Leckie wisely chose to shift focus away from it (apart from a bizarre festival that proves not distracting by being so forgettable). But it also doesn’t add anything here in the way it did in the first volume. As to the second (and much less appreciated) great strength of Ancillary Justice, there are no flashbacks to Breq when she was a ship and Anaander Mianai is almost entirely absent. Ordered to a new station, Breq doesn’t even interact with the Station AI! But Ancillary Sword’s real failure is that it isn’t a very interesting story.Ancillary Justice ended with the two factions of Anaander Mianai now at open war with each other. Breq has been dragooned into the service of one. To that end, she is sent to an obscure, out-of-the-way system that is hinted to be more important than it looks (SPOILER NOT SPOILER: we finish the book without ever finding out). Breq, now raised to the exalted rank of fleet captain, spends the rest of the book ordering people about on the station and “downwell.”Second acts in a series are difficult by nature. The author has typically blown a large portion of her expository load, you can’t have full resolution (and usually get even less than in book one), and the primary burden is to get from Point A of a great idea for a series to Point B of a desired climax. I’m not sure if Ancillary Sword fails for that because so very little happens and what does happen appears to have so very little to do with the universe-spanning empire stakes. There are a couple hints that may become the key to the whole thing, but we only get very bare hints. Perhaps this is one of those books that, rather than building on the first book, runs almost in parallel instead, with both books together building toward book 3 (Larry Correia’s Grimnoire trilogy does this to a certain extent, and Cormac McCarthy’s Border trilogy goes all in).The main story is already burdened by its perceived irrelevance. The problem is exacerbated by a story that isn’t really interested on any level. It is almost structured as a mystery, but the components to the climax and resolution are either obvious or unknowable. The basic structure is Breq swoops in, sees obvious problems, dictates obvious solution, with an obvious reaction. There are a couple of good twists, but we don’t get a payoff for either. The climax would have served as a good faux climax, with a bigger and better one behind it, but is unsatisfying by itself.On another level the story is no better. The Radch empire already had a bit of a British empire thing going on, and the planet in question is a tremendous producer of tea. The station has an ethnic underclass living off the books and downwell there is an oppressed worker class on the tea plantations. The local elite of course are utterly unable to see the problem. Breq, who knows just a little bit about everything, jumps in and starts fixing everything. The obvious problem there seems to have occurred to Leckie, hence regular rounds of oppressed folks reminding Breq she doesn’t know much of anything about them. But given the role of Mary Sue Breq has been given to play, they just come off as childish, kicking their heels at being made to take their medicine.It’s unfortunate. I’ve long been an avid reader of fantasy and every other kind of speculative fiction, but Ancillary Justice was one of the books that finally sparked an interest in science fiction for me. I hold out hope that Ancillary Mercy will capitalize on considerable potential.

This second book in Ann Leckie’s Imperial Radch trilogy fully lives up to the first— not always easy when the first book gets to present the reader with the author’s world and characters for the first time, and the second just continues the story. [In Ms. Leckie’s case, it really didn’t help that the first book had won just about every major award known to science fiction— how do you follow that???]This isn’t your standard space opera, although it obviously has aspects of one (interstellar travel, spaceships and space stations and the like). The writing is too dense, so that it requires you to pay attention. She doesn’t spoon feed her readers, and we’re expected to remember characters and alliances without having them constantly reexplained.She takes cultural ideas and turns them inside out— gender roles is just one clear example. It’s difficult enough for us to imagine a culture without fixed genders— Ursula LeGuin taught us that a long time ago, with ‘The Left Hand of Darkness’. In that book from 1969, the people on a particular planet were ambisexual, having no fixed sex.What Ms. Leckie does is different, and arguably more radical. Here, the characters have the same physical gender differentiation we do, as is made clear when we’re introduced to one culture’s Genitalia Festival, with its brightly colored tiny penises hung all over the space station’s walls. However, no one in Radch culture is ever called by a male pronoun— everyone is considered female. In other words, people come in the standard two genders for purposes of procreation, but gender is otherwise completely unimportant to them; not just is everyone referred to as “she”, both parents are considered mothers, their siblings are all aunts, and the child’s siblings are all sisters. The enormous importance we place on gender and gender roles is simply lacking— something that Ms. Leckie doesn’t explain, but simply makes clear by exposition. And that is just one detail, and one not at the heart of the story, which isn’t about sex at all.Ancillary Sword (named for a class of warship) is too densely written, too involved, for me to do it justice in a brief Amazon interview. Suffice it to say that any awards Ann Leckie has received (which is most of them, as I understand it) she has earned, and read the trilogy. Read it in order, though— an attempt to read this without reading its predecessor first will result only in confusion.Highly recommended.

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Rabu, 08 Oktober 2014

Ebook Your Word is Fire: The Hasidic Masters on Contemplative Prayer

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Your Word is Fire: The Hasidic Masters on Contemplative Prayer

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Your Word is Fire: The Hasidic Masters on Contemplative Prayer

About the Author

Barry W. Holtz is dean of the William Davidson Graduate School of JewishEducation at The Jewish Theological Seminary, where he is also the Theodore andFlorence Baumritter Professor of Jewish Education. His books include, amongothers, Back to the Sources: Reading the Classic Jewish Texts and Your Word IsFire: The Hasidic Masters on Contemplative Prayer (Jewish Lights), the latter coauthoredwith Arthur Green.

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Product details

Paperback: 160 pages

Publisher: Jewish Lights; 2 edition (September 5, 2017)

Language: English

ISBN-10: 1683366700

ISBN-13: 978-1683366706

Product Dimensions:

6 x 0.4 x 9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#931,885 in Books (See Top 100 in Books)

I do not belong t any relgion but am a very spiritual person on her journey on ths earth. I enjoy reading books of different faiths to assist with growing my faith and living a life that has a firm foundation on what is important to do to bring love, joy, peace, gentleness, kindness, goodness, faithfulness, and self control so I can be a good examle to others on how to live and grown a happy, puposeful life. Prayer is very powerful and this book has a strong focus on how to approach our Creator, God, whatever name one chooses to use.

Words that are so simple, yet so profound: this illuminated text collected by Reb Green is often used as a simple yet direct means to prayer. A collection to carry with you and treasure.

Let me just say that if your reading this then buy this book now... fate has brought you here. Read this book over and over and be enriched and renewed angain and again---connected to the ONE source of ALL.

The present (2012) Jewish Lights edition of "Your Word is Fire: The Hasidic Masters on Contemplative Prayer," is about twenty pages longer than earlier forms, due to an expanded Introduction. It was originally published in "The Spiritual Masters" series from the Paulist Press in 1977; that edition would be the subject of the earlier-dated reviews on this product page.My copy of the Paulist Press edition is an undated mass-market size paperback, with a lovely cover incorporating a nineteenth-century Central European Mizrach ("East"), used to mark the direction of prayer (facing Jerusalem), with designs made up of tiny Hebrew texts -- much of it, alas, too small to read in the reproduction, even when magnified.... (The use of a Mizrach was a traditional European Jewish practice, not associated specifically with the Hasidic / Chasidic Movement.)The short book (under 120 pages of texts) provides an interesting approach to a mystical, "charismatic," and popular strain in Jewish life, whose adherents are known, in a bold self-characterization, as the "Pious Ones." (They labelled their more traditionally-minded, and rigorously scholastic, critics as "Misnagdim," "Oppositionists," as though their opponents were the ones tampering with accepted theory and practice.)This is not the only movement in Jewish history known as "Hasidim," but it is the one usually meant when the term is used without further explanation. (Two other major groups are the "Chasideans," contemporaries of the Maccabees, and the "Hasidei Ashkenaz," or "European Pietists," an elite movement in the twelfth-century Rhineland and Central Europe.)The Hasidic Movement emerged in the eighteenth century in Eastern Europe, and within a couple of generations had developed different branches, with distinctive ideas and practices, looking back to several influential teachers. According to the editors, their collection of statements regarding prayers and prayer practice consciously excluded several such inner-Hasidic divisions, specifically the Lubavitch (ChaBaD) and Bratslav movements. As a result, the selection is representative primarily of the earliest generations of Hasidism, namely the founder, known as the Ba'al Shem Tov ("Master of the Good Name"), the Maggid (preacher) Dov Baer of Miedzyrzec, "and their immediate disciples" through the later eighteenth century. (Yes, the literature is littered with variously-spelled Eastern European place-names, some of which have changed several times as borders were redrawn.)This self-imposed limitation on source documents makes good literary sense, albeit at the sacrifice of a fuller representation of the range of Hasidic thought. It also happens to correspond more closely to the somewhat romantic notion of Hasidic spirituality promulgated by, among others, Martin Buber, as against the more rigorous analyses of Hasidic thought and practice offered by Gershom Scholem (the leading historian of Jewish Mysticism in the Twentieth Century) and his followers. An implied endorsement of Buber's somewhat narrow view of "authentic" Hasidism should not be attributed to Green and Holtz, however. In fact, two of the three citations of secondary literature in their endnotes to the readings are to a (relatively) non-technical article by Scholem himself. ("Devekut, or Communion with God," in the volume "The Messianic Idea in Judaism, and Other Essays on Jewish Spriituality" (1971), where it is followed by Scholem's view of "Martin Buber's Interpretation of Hasidism."One of my (several) minor objections to the volume is the use of endnotes for the sources; I would have preferred them at ends of the quoted passages, instead of having to flip back and forth. Particularly because the notes are keyed only by page numbers -- the readings have no separate titles. Most of the notes are simply bibliographic (identifying the source of a passage), but a good percentage are explanatory, or acknowledge editorial re-arrangements of the text. The latter practice is understandable; in all too many cases, the writings were originally oral presentations mainly in Yiddish (the German-based vernacular of Eastern European Jews), taken down by followers, and published in Hebrew translation. The combination of sometimes repetitive oral style, and confused or conflated transmission, from time to time produces a muddle from which the original message must be extricated.

Your Word is Fire: The Hasidic Masters on Contemplative Prayer, edited and translated by Arthur Green and Barry W. Holtz, present short passages from Hasidic masters and their books.The main thrust of this slim volume is for use: this is not an academic book, but to be employed during moments of prayer of mediation. As the authors explain in the introduction:"The mystical ecstasy of the Hasidism flow from the rediscovery that God is present in all of human life. All things and all moments are vessels that contain his presence."This book fits nicely with Rabbi Arthur Green's long career of taking Hasidic elements of worship, and fitting them into contemporary Jewish needs. For Green, this concerns God's radical immanence in the world.The passages in this book are a compendium of such expressions of God, and are meant to facilitate such a view.

This is a wonderful, wonderful reader in Hasidic perspectives on prayer. The book blossoms with deep insights into the spiritual dynamic between God and humans. Please consider the following:"A father has a young child whom he greatly loves. Even though the child has hardly learned to speak, his father takes pleasure in listening to his words." (p. 102)There is something both bold and humbling about and such a perspective on prayer. God is not only King, but Father as well. The Infinite One is both large and small, far and near.Many of the different dynamics of prayer are explored in this work, each in its own section, and everything is referenced at the end of the book. The book opens with an academic essay that provides a good context for the Hasidic exploration of the vast sea of prayer, the experience of union with the Divine Presence (p. 80). As with most readers, any background knowledge of Hasidism is helpful, but at the same time not necessary to have in order to be touched by the wisdom of these mystics.I think, though, that this book needs to be approached as an open door to the myster of prayer. Rather than just being read, it should be tested: to approach God as a child who is unable to speak is a humbling thing. To persist, nonetheless, and draw close to God as God draws us and pulls us close is to experience God's love. The reader of this book will have some far reaching light as s/he travels and progresses down the path of such prayer.

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